Just wrapped the fifth year of editing all the video packages for the awards show!
Here are a few for you to check out.
The show opener this year was particularly fun to watch.
Shane Dorian won the Ride Of The Year.
Might as well throw in some of that random photos from my cellphone while I’m at it…
I was brought on to Produce/Shoot/Edit this Behind The Scenes video for Nitro Circus… what else is there to say really?
I recently finished Post-Production on a series for Epic TV featuring the beginnings of Marine Layer Productions. It’s a pretty amazing story that actually changed the way we view media.
Thinking back to 2010, I was cutting TV shows and feature length action sports films such as (The Art Of Flight) Back then, Action Sports films involved two years of shooting, three months of editing, World Premiere, tour stops, etc.
Seemingly overnight, the internet gives athletes the ability to completely control the way they communicate with the public and now we’re mainlining clips on a daily basis and I’m partially responsible for that. In 2011, shortly after witnessing what Dane was doing with Marine Layer, I’d begun a series with Erik Roner called “Roner Vision”. The concept was simple, sponsors pay athletes to do stuff, athlete brings you along to shoot action and edit it, you find an outlet that’s willing to pay for exclusivity to your videos (i.e. Network A or Epic TV) and that becomes the funding for an athlete to have their own personal production person.
With all of the amazing talent out there and the easy access to shoot, edit and create our visions. It’s an exciting time to be in Video Production!
I have to admit, Signal has put together some boards over the years that I’d really like to try out. There was a paintball board, a surfboard/snowboard…the list is pretty long. But this one currently tops my list. Load one up for me boys!
It’s a pretty common scenario as a videographer to feel burdened by your oversized camera equipment. Usually resulting in putting your camera away. Putting your camera away typically gives you some really good stories and more excuses than shots of what happened when the camera wasn’t rolling.
I’d been getting in the habit of carrying around a GoPro as a backup camera for a while. They’re great for capturing traveling shots when your higher quality camera gear is safely stowed away. But I also noticed that people have become very comfortable around these tiny, unassuming cameras. Which makes it great for late night party footage!
Only problem is that they don’t have a light. Which makes late night party footage useless. So, I just went to ACE hardware and bought a $5 LED light and slapped a 3M sticky on there. I tested it a few times in total darkness and thought it was too much of a spot light. I crudely masking taped some printer paper over the top to defuse the light a little and it seemed to work fine.
A few months later I was attending the World Premiere for The Art Of Flight and also had the side job of shooting footage of the weeks events. Being a part of the Brain Farm post-production crew on the film, I was given the night of the premiere off. I left my larger camera equipment at the hotel and opted for the “GoPro Party Cam” instead. The event film crew I’d been working with was told that Justin Timberlake would be there, but not to stick lights and cameras in his face. He was there to support his friends and didn’t want to be swarmed. I initially slid in just to get a quick shot of JT and Travis Rice. I never expected JT to borrow my camera.