Lately, I’ve been getting back into shooting film, but when I left for Colorado to attend The Fourth Phase Premiere in Denver, I looked at the cameras on my desk and decided they wouldn’t come with me. Most of the evening would be in low light situations and none of my old cameras have very reliable flashes. Once I arrived at the hotel I started feeling the itch to shoot 35mm, so I went to the drug store and got a Kodak disposable Funsaver.
I didn’t realize until I was shooting it that it’s the perfect party camera. Unlike shooting with your iPhone, the flash is instant and the shutter is quick. Not to mention, people seem a little more comfortable around a camera that won’t instantly upload to the internet.
It’s a pretty common scenario as a videographer to feel burdened by your oversized camera equipment. Usually resulting in putting your camera away. Putting your camera away typically gives you some really good stories and more excuses than shots of what happened when the camera wasn’t rolling.
I’d been getting in the habit of carrying around a GoPro as a backup camera for a while. They’re great for capturing traveling shots when your higher quality camera gear is safely stowed away. But I also noticed that people have become very comfortable around these tiny, unassuming cameras. Which makes it great for late night party footage!
Only problem is that they don’t have a light. Which makes late night party footage useless. So, I just went to ACE hardware and bought a $5 LED light and slapped a 3M sticky on there. I tested it a few times in total darkness and thought it was too much of a spot light. I crudely masking taped some printer paper over the top to defuse the light a little and it seemed to work fine.
A few months later I was attending the World Premiere for The Art Of Flight and also had the side job of shooting footage of the weeks events. Being a part of the Brain Farm post-production crew on the film, I was given the night of the premiere off. I left my larger camera equipment at the hotel and opted for the “GoPro Party Cam” instead. The event film crew I’d been working with was told that Justin Timberlake would be there, but not to stick lights and cameras in his face. He was there to support his friends and didn’t want to be swarmed. I initially slid in just to get a quick shot of JT and Travis Rice. I never expected JT to borrow my camera.
Projects in order of appearance:
-Quiksilver Moments 2011 Boardshort Campaign (Post-Production by Death Cookie Entertainment)
-Carve Spring 2012 apparel (Shot & Edited by Tate MacDowell)
-Red Bull’s “Young Jaws” Emmy Nominated Outstanding Edited Sports Special
-Quiksilver’s “CypherVision” Short film (2010)
-US Marines “Semper Ride” (2009)
-Patagonia Chile R&D (2011) (Post-production by Death Cookie Entertainment)
-Signal Snowboards “Every Third Thursday” season two (2011-2012) (Post-production by Death Cookie Entertainment)
-Quiksilver “MOMENTS” short film (2011) (Post-production by Death Cookie Entertainment)
-Quiksilver Cypher Boardshort Campaign (2010)
-Billabong XXL award show (2011) (Death Cookie provides post-production for live show video content)
-Erik Roner’s “Roner Vision” (2011) (Produced by Erik Roner & Tate MacDowell, post-production by Death Cookie Entertainment)
-Teton Gravity Research “Out There” (2008)
-Teton Gravity Research “Under The Influence” (2008)
-Red Bull Media House “The Art of Flight” (2011) (Additional Editing by Tate MacDowell)
Got the call from Curt Morgan a couple of weeks ago asking if I’d like to do some editing for his new film “The Art of Flight.” I had perviously wrestled with the footage from their first trip to Canada for a few months last summer while creating a pilot episode for the television show titled “Moving Mountains.” Subsequently, I was given the responsibility of editing the television show into a segment for the film. After a few weeks of working on it from San Diego I headed up to Brain Farm’s headquarters in Jackson Hole, Wyoming where Curt and I were able to tag team it for a few days. While there, I got to check out some rough cuts from the film. Let’s just say, the rough cuts were groundbreaking and I can’t wait to see the final cuts!
Travis Rice and I checking out the Revelstoke, BC segment from Curt’s home editing system.
Join Ian Walsh as he guides you through a session at Peahi (aka JAWS) located on the Hawaiian Island of Maui. This is one of four cuts from this session, one of which will air as a half hour television show. “Young Jaws” is the most recent project that I edited while at Brain Farm Digital Cinema.