Tag Archives: tate macdowell

The Fourth Phase Premiere in Denver

Lately, I’ve been getting back into shooting film, but when I left for Colorado to attend The Fourth Phase Premiere in Denver, I looked at the cameras on my desk and decided they wouldn’t come with me. Most of the evening would be in low light situations and none of my old cameras have very reliable flashes. Once I arrived at the hotel I started feeling the itch to shoot 35mm, so I went to the drug store and got a Kodak disposable Funsaver.
I didn’t realize until I was shooting it that it’s the perfect party camera. Unlike shooting with your iPhone, the flash is instant and the shutter is quick. Not to mention, people seem a little more comfortable around a camera that won’t instantly upload to the internet.

Ryan Burch and Bryce Young surfing Seaside Reef 4K

Went down to Seaside Reef in Cardiff CA on December 1st 2015 to shoot my new Panasonic Lumix GH4 and try out the 4K settings.
The talent was there and the footage ended up looking pretty good so I put together this edit to test out the youtube 4k upload settings. Enjoy!
Shot, Edited and Music by Tate MacDowell

2015 WSL Big Wave Awards

Just wrapped the fifth year of editing all the video packages for the awards show!
Here are a few for you to check out.

The show opener this year was particularly fun to watch.

Shane Dorian won the Ride Of The Year.

Brad Domke

Might as well throw in some of that random photos from my cellphone while I’m at it…

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Everything Has a Storyline

In Sports Productions it’s often easy to dismiss an edit as simply being a montage. Sports Production is one of the only forms of video production where it’s become acceptable to slap a bunch of A+ footage together over a killer track and (as long as everything hits a beat) you’re going to make something interesting enough for people to watch.
But everything has a story and in my opinion, your viewers desperately want some sort of linear content that pulls them through the piece.
I recently cut this commercial for C&C Yachts that makes for a good example of finding storyline.

When this project showed up on a hard drive there was ample direction provided on what shots it needed to begin with. The crew walking to the vessel was obviously the beginning, followed by some rigging shots.
Dock
When they got to the open water, it was suggested that it could be a mishmash of great shots. Which could have been great! But as I was looking through the footage and listening to the song I’d pulled for the rough cut, I’d noticed there was an amazing build in the track that couldn’t be ignored. The crescendo at 1:10, that’s my key edit. I’ll often place a marker on the song and select the best shot to fit that part of the track. Then I’ll actually build the rest of the edit around that moment. That moment is where your viewer is going to really “feel it.”
You’ll notice that the beginning of the edit contains of lot of shots of sailing upwind, which provides great action and works in unison with the build in the music.
Onboard shots of tacking and the crew trimming the sails gives a wonderful feeling of excitement.
tacking
As the viewer approaches the 1:10 minute mark the song finally crescendos. This is my key edit and what better way to hit that beat than with the raising of the spinnaker and see this puppy run?
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Producer/Director/Cinematographer Onne van der Wal did an amazing job of pulling together various angles of this moment using a helicopter, on-water chase boat, and multiple GoPro Hero3 cameras positioned around the boat.
run

In summation, Hip Hop mogul Dr. Dre said it best “Make’em feel it” and adding that extra continuity into you edits to create storyline is a great way to achieve that.

Tate MacDowell- Editor Reel

Projects in order of appearance:
-Quiksilver Moments 2011 Boardshort Campaign (Post-Production by Death Cookie Entertainment)
-Carve Spring 2012 apparel (Shot & Edited by Tate MacDowell)
-Red Bull’s “Young Jaws” Emmy Nominated Outstanding Edited Sports Special
-Quiksilver’s “CypherVision” Short film (2010)
-US Marines “Semper Ride” (2009)
-Patagonia Chile R&D (2011) (Post-production by Death Cookie Entertainment)
-Signal Snowboards “Every Third Thursday” season two (2011-2012) (Post-production by Death Cookie Entertainment)
-Quiksilver “MOMENTS” short film (2011) (Post-production by Death Cookie Entertainment)
-Quiksilver Cypher Boardshort Campaign (2010)
-Billabong XXL award show (2011) (Death Cookie provides post-production for live show video content)
-Erik Roner’s “Roner Vision” (2011) (Produced by Erik Roner & Tate MacDowell, post-production by Death Cookie Entertainment)
-Teton Gravity Research “Out There” (2008)
-Teton Gravity Research “Under The Influence” (2008)
-Red Bull Media House “The Art of Flight” (2011) (Additional Editing by Tate MacDowell)